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/mp3s_never_sound_good
/discography
shock & awe, conceptual 7", self-released on compact disc (philadelphia, pa, fall, 2003). recorded and mixed by david mccandlish. mastered by peter humphreys. 300 copy release. listen to shock and/or awe.
the beyond neutrality EP, released by figurehead productions (philadelphia, pa, spring, 2004). recorded and mixed by jeff anderson and david mccandlish. published by mystery hole music (ASCAP 2004). 500 copy release. listen to song two, AKA "post-rock syndrome."
/bands_perfectionists_have_been_booked_with
/recent_articles/
verse chorus verse magazine, tilted "heart cooks brain." review and interview.
punknews.org. read the live review here.
jersey beat magazine (fall/winter 2004).
toomuchrock.com. live review from boston.
/recent_citations/
west philly's lovably scattershot rock trio the perfection!sts... the band's memorable brand of conceptualism is sure to surface.... leave it to the eccentric perfection!sts to choose a format that's as much a throwback to early-'90s indie rock as their songs: the split 7-inch single. on their side of "welcome" -- released on this radiant boy's fledgling extracurricular label -- the boys batter their instruments and scream through a last-leg microphone, downshifting from complex spazz-core to quiet moments of yearning.
>doug wallen, the philadelphia weekly
the perfection!sts may just be the most conceptual rock band this side of john cage. they speak of percentages of quality, aesthetic synergy, and the tension between their libidnous and intellectual sides. they're also fond of bizarre, thoughtful stage antics that challenge the audience.... beyond neutrality is bracing, tighly wound guitar-pop, infused with all the bitterness of '90s indie rock but blissfully free of dance-punk posturing of so many bands since. there's no shortage of urgency...
genre-defying indie rock with an abundance of impromptu audience interaction... esoteric vocals were delivered in spoken bursts between tumbling, evolving rock compositions. while not exactly math-rock, melody lines continually mutated as rhythms stepped through constant changes... if guitarists/vocalists matt rubin’s and joel blecher’s trips into the audience (and onto the club floor) were jarring and puzzling, their swung guitars were downright dangerous. a dangerous band is a good band.
the perfection!sts have more on their mind than getting you to sing along. with a chord vocabulary that would impress sonic youth and frequent excursions into prog-rock instrumental passages, there's a lot going on here.
>jim testa, editor of the jersey beat
five stars. the perfection!sts delivered a bizarre but entertaining sound that mixed elements as disparate as the pop group, pinkerton-era weezer, mission of burma, and the cure into their set.
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